Jan van Hemessen(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel. | |||
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Woman Weighing Gold, also called Woman Holding a Balance Pintura Identificación:: 75222 Vea nuestra galería en Suecia |
Woman Weighing Gold, also called Woman Holding a Balance Oil on oak-wood 44 X 31 cm (17.3 X 12.2 in) cjr Oil_on_oak-wood _44_X_31_cm_(17.3_X_12.2_in) _ cjr |
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Woman Weighing Gold Pintura Identificación:: 77047 Vea nuestra galería en Suecia |
Woman Weighing Gold Oil on oak-wood Dimensions 44 x 31 cm (17.3 x 12.2 in) cyf Oil_on_oak-wood _ Dimensions_44_x_31_cm_(17.3_x_12.2_in) _ cyf |
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Christ Carrying the Cross Pintura Identificación:: 83092 Vea nuestra galería en Suecia |
Christ Carrying the Cross Date 1553(1553) Medium Oil on wood Dimensions Height: 111 cm (43.7 in). Width: 97.5 cm (38.4 in). cjr Date_1553(1553) _ Medium_Oil_on_wood _ Dimensions_Height:_111_cm_(43.7_in)._Width:_97.5_cm_(38.4_in). _ cjr |
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Virgin and Child Pintura Identificación:: 83814 Vea nuestra galería en Suecia |
Virgin and Child Date first half of 16th century Medium Oil on oak panel Dimensions Height: 150 cm (59.1 in). Width: 116.5 cm (45.9 in). cjr Date_first_half_of_16th_century _ Medium_Oil_on_oak_panel _ Dimensions_Height:_150_cm_(59.1_in)._Width:_116.5_cm_(45.9_in). _ cjr |
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Christ Mocked Pintura Identificación:: 83960 Vea nuestra galería en Suecia |
Christ Mocked Date ca. 1560(1560) Medium Oil on wood cjr Date_ca._1560(1560) _ Medium_Oil_on_wood _ cjr |
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| Jan van Hemessen | ||||||||||
| (c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel. | ||||||||||
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